Friday, July 9, 2010

Oddities

First, some of my old posts are "acting up."   Words (especially in italics) have been roaming around appearing in odd spots that they did not start in.     Mostly, they attach themselves to other words in italics.    And the weirdest part?    They don't do it at the same time.    Once I discovered it, I read through all of them and corrected the ones I saw.    Then another one appeared.    I'm not kidding and I'm not crazy.    WTF?

Second, has anyone noticed that more famous, popular, successful and / or working classical composers have names that begin with  the letter "B"?  [My criteria is they have had or have now recordings of their music or are still performed regularly somewhere in the world.   In fact, I have performed or have recordings of all but three of them.]  Milton Babbitt, J. S. Bach, C.P. E. Bach, (and assorted brothers and sons), Leonardo Balada, Mily Alexeyevich Balakirev, Michael William Balfe, Samuel Barber, Bela Bartok, Arnold Bax, Amy Beach, Jack Beeson, Ludwig van Beethoven, Vincenzo Bellini, Georg Benda, Alban Berg, Luciano Berio, Arthur Benjamin, George Benjamin, Richard Rodney Bennett, Arthur Berger, Erik Bergman, Lennox Berkeley, Michael Berkeley, Hector Berlioz, Leonard Bernstein, Franz Berwald, Franz von Biber, William Billings, Gilles Binchois, Harrison Birtwistle, Georges Bizet, Boris Blacher, Howard Blake, Arthur Bliss, Marc Blitzstein, Ernest Bloch, Karl-Birger Blomdahl, John Blow, Luigi Boccherini, Adrien Boieldieu, Arrigo Boito, William Bolcom, Alexander Borodin, Pierre Boulez, Rutland Boughton, Paul Bowles, William Boyce, Johannes Brahms, Walter Braunfels, Tomas Breton, Havergal Brian, Frank Bridge, Benjamin Britten, Max Bruch, Anton Bruckner, Willy Burkhard, Ferruccio Busoni, George Butterworth, Dietrich Buxtehude, William Byrd...have I forgotten any?   

As an "oh by the way", Walter Braunfels was a  victim of the Holocaust: his work is just being "re-discovered."    More and more recordings are appearing and his music is getting more and more performances.    He wrote beautiful music and he is worth investigating, as are many composers killed or displaced by the Holocaust.     A whole generation was "lost" and we should preserve and perform this music, 1)  because it is worthwhile and 2) it shines as a testament to survival in the face of human evil, even if only the music has survived.     Try to keep it alive by supporting the artists who are performing and recording it.    (Anne-Sophie von Otter is one.)  To start, go on Amazon and type in "Entartete Musik" and a wonderful series of recordings will pop up.    This is good (sometimes great) music...truly.

Saturday, July 3, 2010

4th music

Is it just me, or does anyone else dread those 4th of JULY concerts with their poor miking, where Stars and Stripes Forever gets blasted to bits, Gershwin's Rhapsody in Blue sounds like it's being sightread and Tchaikovsky's 1812 Overture (which has nothing to do with America!) blares out as the fireworks fly above and the cannons roar.    (Real ones, of course.)    Even the New York Philharmonic can sound scrappy.    Don't get me wrong--I love fireworks.    And other than The Stars and Stripes, which I loathe) all the familiar pieces are good works.    But not outside.     Where people are only half listening anyway and the orchestra is only half-playing it in response.   I long for a piece by Howard Hanson or even Leonard Bernstein (who does make a very occasional appearance) or Samuel Barber--American pieces maybe not everyone has heard.    But that is not the point of these "celebrations".    It's about comfort food for the musically illiterate.    "If it was good enough for Grandpa..."    Why not, say, Barber's Violin Concerto and Hanson's Third Symphony and Paul Creston's A Rumor?    Then 1812 Overture if you have to have it.    But no one will ever listen to me.    People want their hot dogs and hamburgers and barbeque and Gershwin (but not Concerto in F) and their 1812.     Why not just tape last year's show and stay at home in the air conditioning?    Or listen to Hanson's Third Symphony?     To my mind, a better way to celebrate.   (I'll probably go to where I can watch the fireworks and NOT listen to the concert.     I hear that awful piccolo solo in my nightmares as it is.)