Friday, July 9, 2010

Oddities

First, some of my old posts are "acting up."   Words (especially in italics) have been roaming around appearing in odd spots that they did not start in.     Mostly, they attach themselves to other words in italics.    And the weirdest part?    They don't do it at the same time.    Once I discovered it, I read through all of them and corrected the ones I saw.    Then another one appeared.    I'm not kidding and I'm not crazy.    WTF?

Second, has anyone noticed that more famous, popular, successful and / or working classical composers have names that begin with  the letter "B"?  [My criteria is they have had or have now recordings of their music or are still performed regularly somewhere in the world.   In fact, I have performed or have recordings of all but three of them.]  Milton Babbitt, J. S. Bach, C.P. E. Bach, (and assorted brothers and sons), Leonardo Balada, Mily Alexeyevich Balakirev, Michael William Balfe, Samuel Barber, Bela Bartok, Arnold Bax, Amy Beach, Jack Beeson, Ludwig van Beethoven, Vincenzo Bellini, Georg Benda, Alban Berg, Luciano Berio, Arthur Benjamin, George Benjamin, Richard Rodney Bennett, Arthur Berger, Erik Bergman, Lennox Berkeley, Michael Berkeley, Hector Berlioz, Leonard Bernstein, Franz Berwald, Franz von Biber, William Billings, Gilles Binchois, Harrison Birtwistle, Georges Bizet, Boris Blacher, Howard Blake, Arthur Bliss, Marc Blitzstein, Ernest Bloch, Karl-Birger Blomdahl, John Blow, Luigi Boccherini, Adrien Boieldieu, Arrigo Boito, William Bolcom, Alexander Borodin, Pierre Boulez, Rutland Boughton, Paul Bowles, William Boyce, Johannes Brahms, Walter Braunfels, Tomas Breton, Havergal Brian, Frank Bridge, Benjamin Britten, Max Bruch, Anton Bruckner, Willy Burkhard, Ferruccio Busoni, George Butterworth, Dietrich Buxtehude, William Byrd...have I forgotten any?   

As an "oh by the way", Walter Braunfels was a  victim of the Holocaust: his work is just being "re-discovered."    More and more recordings are appearing and his music is getting more and more performances.    He wrote beautiful music and he is worth investigating, as are many composers killed or displaced by the Holocaust.     A whole generation was "lost" and we should preserve and perform this music, 1)  because it is worthwhile and 2) it shines as a testament to survival in the face of human evil, even if only the music has survived.     Try to keep it alive by supporting the artists who are performing and recording it.    (Anne-Sophie von Otter is one.)  To start, go on Amazon and type in "Entartete Musik" and a wonderful series of recordings will pop up.    This is good (sometimes great) music...truly.

1 comment:

  1. Paul, not only are words appearing in strange places, but the link from FRED to your blog is out. Further, I think you should perform Braunfels in your next season and see if you can secure either Feinberg auditorium at JTS as a performance space. If you do so, JTS will help you publicize the event.--Dave

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